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Philosophy of
Self-Defense
Sun-tzu wrote, “Subjugating the enemy’s army without
fighting is the true pinnacle of excellence.” One can imagine he
would be equally apt to remonstrate that the inverse is also true-
engaging an enemy in battle and losing is the pinnacle of failure.
This philosophy is also voiced by Hwang Kee, founder of the Moo Duk
Kwan, when he wrote, “The ultimate objective of the skilled disciple
of the martial arts is to obtain victory without combat. Once one has
engaged in combat, however, he must win even against great odds.”
In terms of self-defense (Ho Sin
Sool) and its relationship with the traditional martial arts the
meaning of these statements is multi-layered. On the surface the
obvious interpretation is that a traditional martial artist should
only engage someone in combat if all other avenues toward
reconciliation have been exhausted. Under the surface, however, these
statements make two direct points: One, if a situation is hostile
enough to merit violence (which implies either the martial artist’s
life or safety is jeopardized or an innocent victim’s life or safety
is jeopardized) it is hostile enough for the martial artist to meet
the threat with direct action designed to end the threat as quickly as
possible; and two, it is understood that this direct action, depending
on the capability of the martial artist, could seriously maim or kill
the attacker.
While this philosophy of self
defense may at first sight appear extreme it is important to consider
the following points:
-
Traditional
martial artists are taught to fight only as a last resort
-
When
they do fight it is because the situation merits the response
-
The
chance of nullifying an attack without damaging the attacker
increases with the skill level of the martial artist
-
Traditional
martial artists are equipped with a diverse array of techniques
that allows them to meet different threat levels with Justifiable
Degrees of Response
Justifiable
Degrees of Response
A
Justifiable Degree of Response can be defined as a morally acceptable
reaction to a negative stimulus. This stimulus varies depending upon
the degree of danger, which can be determined by certain obvious
factors. These include:
-
Is
the attacker intoxicated?
-
Is
the attacker verbally hostile or physically hostile?
-
Is
the attacker attempting a robbery
-
Does
the attacker have a weapon?
-
Is
the goal of the attack to commit violence (rape, murder)?
The martial artist’s response, determined by the amount of danger
they perceive, thereby operates upon a similar scale of increasing
force:
1.
Attempt to verbally calm the attacker.
2.
Attempt to subdue the attacker (joint locks and restraining
techniques).
3.
Attempt to injure the attacker (striking to vital points).
There
are certain situations where an attempt to subdue the attacker should
not be considered. For example, if a 100lb woman is being attacked by
a 200lb man she should not attempt a restraining technique such as an
arm bar or wrist manipulation because the probability of success is
too low. Instead she should strike the attacker’s vital areas until
presented with an opportunity to escape. Similarly, anytime an
attacker is wielding a weapon extreme precaution should be taken to
end the fight as quickly as possible, even if it means severely
injuring the attacker.
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